Desc: Gli spazzacamini della Val D'Aosta: Directed by Umberto Paradisi. With Giovanni Cimara, Laura Darville, Tonino Giolino. Count Frederick, while hunting, meets Lucy, the daughter of Masone, a gamekeeper on his father's estate and a tender romance unfolds. Later. Lucy is tenderly rocking the cradle of her baby, dreaming of her lover's return and her approaching wedding, Frederick has confessed to his father and has asked his permission to marry, but the proud old nobleman refuses to let his son marry beneath his station in life and sends him off to France, dismissing Lucy's father from his estate. Lucy and her father journey to Polain where the former game-keeper gets a position in the stable, and after eight years loses it through old age. Starvation stares them in the face and little Tony, the son of Count Frederick and Lucy, is apprenticed to Gaspard, a chimney-sweep, who is buying poor little boys for his work in Turin. In the meantime, Frederick has returned from France and traced Lucy and the boy to Polain, but cannot marry her because of his father's opposition. By chance, Gaspard and his boys pass the house of Count Frederick. Tony, the youngest of the crew, becomes sick and sits down at the door of his father's house. Gaspard finds him and compels the youngster to undertake a job, but Charles, his little friend, meets Tony and offers to do the job for him, arranging to meet him where he was resting. Poor Charles is suffocated in the chimney which Tony was supposed to clean. Meantime the Count has found Tony and discovers that he is his son; he takes him to his father and declares his intention to renounce his title and marry Lucy. The old Count's heart is changed by the noble little fellow and he consents. Lucy and her father, unable to stand the loneliness without Tony, come to Turin to beg Tony from Gaspard, but are greeted with the news that Tony has just been killed. Crazed with grief, Lucy is continually appealing to the chimney in her home to give her back her boy. Count Frederick goes to Polain with Tony, but Lucy does not recognize either. Her poor old father has thought of the novel idea of dressing Tony up as a chimney-sweep. She at last recognizes him and her reason is restored. Lucy and the Count are united and we leave them in the midst of happiness.